Showing posts with label Portrait of Monsieur Bertin. Show all posts
Showing posts with label Portrait of Monsieur Bertin. Show all posts

Friday, 10 June 2016

Portrait of Monsieur Bertin

Portrait of Monsieur Bertin.
Portrait of Monsieur Bertin is an 1832 oil-on-canvas painting by Jean-Auguste-Dominique Ingres. It depicts Louis-François Bertin (1766–1841), a writer, art collector and director of the pro-royalist Journal des débats. Having achieved acclaim as a history painter, Ingres accepted portrait commissions with reluctance, regarding them as a distraction. The painting had a prolonged genesis; he agonised over the pose and made several preparatory sketches. The final work presents Bertin as a personification of the commercially minded leaders of the liberal reign of Louis Philippe I, emanating a restless energy. He is physically imposing and self-assured but his real-life personality shines through – warm, wry and engaging to those who had earned his trust. The portrait is an unflinchingly realistic depiction of aging; Ingres emphasises the furrowed skin and thinning hair of an overweight man who maintains his resolve and determination. Although Bertin's family worried that the painting might been seen as a caricature, it is widely regarded as Ingres' finest male portrait and has been at the Musée du Louvre since 1897.

Portrait of Monsieur Bertin

Portrait of Monsieur Bertin.
Portrait of Monsieur Bertin is an 1832 oil-on-canvas painting by Jean-Auguste-Dominique Ingres. It depicts Louis-François Bertin (1766–1841), a writer, art collector and director of the pro-royalist Journal des débats. Having achieved acclaim as a history painter, Ingres accepted portrait commissions with reluctance, regarding them as a distraction. The painting had a prolonged genesis; he agonised over the pose and made several preparatory sketches. The final work presents Bertin as a personification of the commercially minded leaders of the liberal reign of Louis Philippe I, emanating a restless energy. He is physically imposing and self-assured but his real-life personality shines through – warm, wry and engaging to those who had earned his trust. The portrait is an unflinchingly realistic depiction of aging; Ingres emphasises the furrowed skin and thinning hair of an overweight man who maintains his resolve and determination. Although Bertin's family worried that the painting might been seen as a caricature, it is widely regarded as Ingres' finest male portrait and has been at the Musée du Louvre since 1897.